Sound Art in the British Context- ITSA

Introduction

What I’m trying out at this stage in my life is new formats, or new settings maybe’ or formats and settings that have been tried before but then been forgotten or put aside because established formats have such a powerful hold on our thinking’ I’m frustrated by [” ‘] all the familiar routines that frame practice and discourse [“‘] what I want to do is modest, small scale, quiet’ and uncertain – just a slight shift of conditions [“‘] a big thing but small, a conversation that can be quiet but loud‘” – (Toop & Parkson pg 582)

Reflection & Discussion

Some points that Toop brought up I think are rather interesting. Toop prefers to call sound art ‘sound work’. Some people may interpret this as a job, and not ‘art’. I understand those points but also work can be fun, and art is a job… if you want it to be. Toop may want to have the mindset of it being a job. As it may feel more productive for him, as most people do view art as a hobby. Treating it as a job may psychologically trick him into being more productive or something along those lines. Just something to keep in mind as we all view it differently.

Conclusion/Future Work

In conclusion, this article brings up some interesting points that I found interesting to read. Like how Toop prefers to refer to sound art as ‘Sound Work’ as he may not think of art as a job inherently or that when people hear sound art they might just think it’s a hobby. So he might say it to make it more professional sounding, or as he finds it more helpful to think of it as a job. Overall a fascinating piece of writing.

Questions

Sound art was first used in 1983, who coined the term?

Answer

William Hellermann supposedly coined the term for an art exhibition he was holding. Which he called Sound Art. But there is a good chance this term was used before then. But for now, that is supposedly where the term was coined.

Is all expensive art money laundering?

Yes and No. Some people will use this as a way to dodge tax and launder money, but there are people who buy art because they want the piece. With no criminal intent.

References

Licht, A. (2009). Sound Art: Origins, development, and ambiguities. Organized Sound, 14(01), p.3.

‌www.google.com. (n.d.). Etymology – Google Search. [online] Available at: https://www.google.com/search?client=firefox-b-d&q=Etymology.

Parkinson, A. & Toop, D (2015) – Unfinished Business: A Conversation on Sound Art in the United Kingdom.

Glossary

Orthodox – Systematic way of going about work. Set rules to go by and not going by these would be unorthodox. Sound work inherently is unorthodox.

Problematic – Controversial work that may include issues that make people either uncomfortable to bring up issues that people may disagree with.

Etymology – the study of the origin of words and the way in which their meanings have changed throughout history

Hybrid – A mixture of two or more existing things e.g. electric car, mixing both new and old technology together.

Genre – A classification of a specific style e.g. The horror genre is classified as scary movies, noise music is a genre of music that uses lots of white noise, extreme shifts in pitch, and highly distorted sounds.

Electroacoustic Music

Hi everyone, hope you are well 🙂

I’ve had an interest in electroacoustic music for a couple of years now, but never really delved into it. I found electroacoustic sound from its strong ties to Music Concrète and tape music, which are types of sound I’m very fond of.

I did some research and picked 2 important works of electroacoustic music.

  1. John Cage: Imaginary Landscape no.1 (1939)
  2. Luciano Berio: Thema (Omaggio a Joyce) – (1958-1959)

John Cage – Imaginary Landscape No.1

John Cage’s Imaginary Landscape No.1 is the first of John Cage’s Imaginary Landscape series. This was recorded and released in 1939. The composition is comprised of four performers, two performers controlling two variable speed turntables, playing frequencies records throughout the composition. One performer playing a Chinese cymbal, and one performer playing a muted piano.

This was an eye-opening piece, it’s fascinating to think this was composed in 1939. 81 years ago at the time of writing this. This is a very forward-thinking composition. The use of turntables playing frequency records and using turntables as instruments is something I’ve never heard of.

The piece has a sense of dread that lingers throughout. Whether it is the frequencies going up and down. Or the piano strumming. It feels like something out of David Lynch’s Eraserhead. Something unknown…

Luciano Berio: Thema (Omaggio a Joyce) – (1958-1959)

Thema (Omaggio a Joyce) is a composition composed by Luciano Berio. The piece was created for tape and voice, it was recorded over a span of two years (1958-1959). The voice is the primary source of the sound. The voice is reading an interpretation of ‘Sirens’ from chapter 11 of the novel Ulysses by authors James Joyce by Cathy Berberian. Sirens.

This is a description of the chapter from litcharts

“A cryptic introduction made up of sixty fragments opens this episode, foreshadowing key moments in its plot, introducing its major themes, and presenting its key motifs. This introductory section is full of imagery related to sounds, like “steelyringing,” “trilling,” “jingling,” “warbling,” and “tschink [and] tschunk.” This introduction ends, “Done. / Begin!””

The piece perfectly represents what is written above, and you can see where Luciano was going with this piece.

This composition was fascinating to listen to. With the use of spoken word and vocals being moved around you, similar to a helicopter. It is very disorientating, and how it will go silent, then jump right back up. It can also be quite surprising and unnerving. Which is what I find interesting to explore as an artist. Making people feel uncomfortable by experimenting with different uses of sound I personally find very fascinating and something I will continue to explore in the future.

References

www.youtube.com. (n.d.). Luciano Berio : Thema – Omaggio a Joyce. [online] Available at: https://www.youtube.com/watch?v=jV_76OZSsqo

LitCharts. (n.d.). LitCharts. [online] Available at: https://www.litcharts.com/lit/ulysses/episode-11-sirens.

John Cage – Imaginary Landscape No. 1 (1939). (2017). YouTube. Available at: https://www.youtube.com/watch?v=p-3iLnXV90s.